Two Poems | Gretchen Rockwell
Under the Skin
cw: disease, epidemics
I'm sitting down to write a third poem about yellow fever. I was just saying I've always loved disease stories, studies mapping deaths black and blue and yellow. [Let me identify them: Yersina pestis, bubonic plague. Vibrio cholerae, cholera. Flaviviridae, yellow fever.] I can't forget my fascination with the Red Death too, holding his illimitable dominion. In fiction. Il- limitable. Ill-limitable: most of the stories are about vaccines or scientists' efforts to stop the spread, mitigate the risks. They all show the suffering, of course, give symptoms in [sometimes] bloodless detail. The anguished faces of the sick, the precise descriptions sit innocuous in monochrome. They scrape like a scalpel over an open wound, shock surely as insufflation, suffocate: Darkness and Decay and all that. I can't watch slasher flicks, so I'm not sure why this gore is not only acceptable but absorbing. But it is. It's the distance, I think. I'm looking at the faces of the dead and thinking I don't know why I'm drawn to things that would destroy me, only that I am. Diesel fumes and a dancing flame. Bacteria dividing in a dish, in a body. You don't need to tell me I'm morbid; I know. I'm just glad to be drawn to things that cannot love me back.
Party Conversation: a Quarto
For Damiana
if nobody hears
in my head am i
still a person maybe
& even thinking is
the way a tree rots:
inexorable & deadly
brackets flabby & white
i'd like to say i have
an answer but i don't
& the rot keeps growing
is this the way sanity
can fracture like old bark
splitting under age & stress
prolonging the slow
drying into nothingness
fit only to be broken
& used by someone
who needs the shell of you?
who needs the heart of you
what i say
still terrible? well
words do matter
poison for the brain
decay spiraling out
the saddest thing to see
how do you prune spite?
the way you search for the way to
know the language it's in
without ending without
& you will fail & find you
have no choice in your demise
no answers left on your tongue
heat-death of the universe:
nothing without someone to witness
burned to ashes themselves
& finding no one else
left to speak to yourself
left to put voice to your thoughts
Gretchen Rockwell is a queer poet currently living in Pennsylvania. Xe is the author of the microchapbooks love songs for godzilla (Kissing Dynamite, 2020) and Thanatology (Ghost City Press, 2020); xer work has most recently appeared in perhappened mag, Whale Road Review, Poet Lore, FreezeRay Poetry, and elsewhere. Gretchen enjoys writing poetry about gender and sexuality, history, myth, science, space, and unusual connections
Twitter: @daft_rockwell
Website: www.gretchenrockwell.com
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